Oddly enough, I’ve never shot a pre-wedding session inside the National Gallery. Somehow, it kept slipping my mind that I could actually shoot inside. Keith & Eileen’s pre-wedding shoot reminded me just how gorgeous the former Supreme Court is. I vaguely remembered using Da Vinci Code as my reference film for this shoot but somehow I kept drifting back into Wes Anderson’s Grand Hotel Budapest as the shoot went on. There was never any scripts when I do my shoots. It evolves along the way. That’s how I like to build my story.